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Nécessaire, 1925
Platinum, yellow gold, mother-of-pearl, pearl, enamel, and diamonds
Van Cleef & Arpels Collection
Nécessaire, 1925
Platinum, yellow gold, mother-of-pearl, pearl, enamel, and diamonds
Van Cleef & Arpels Collection
Nécessaire, 1925
Platinum, yellow gold, mother-of-pearl, pearl, enamel, and diamonds
Van Cleef & Arpels Collection
1925

Nécessaire

This nécessaire uses jewelry-making techniques and liberal artistic freedom to transpose the nineteenth scene of the Bayeux Tapestry. The scene in question illustrates William the Conqueror’s soldiers passing by Rennes and seizing Dinan during the Brittany campaign against Duke Conan II.

In addition to its historical reference, this piece illustrates a particular savoir-faire, that of using mother-of-pearl marquetry for depicting figures. On the nécessaire’s black enamel lid, a narrative scene is depicted within a rectangle edged with a row of rose-cut diamonds. The central register depicts four riders armed with lances, three of whom also carry shields. The polychrome aspect of the scene is rendered by the nuances of the mother-of-pearl together with the yellow gold. The coats of mail worn by the figures are depicted in red and their highly stylized helmets in black. Similarly, thanks to the chromatic diversity of the mother-of-pearl, each horse is individualized by distinct coloring. In the background to the left of the composition, a fortified structure on a promontory evokes the motte-and-bailey castle of Rennes. In the upper part of this central register, the inscription describing the scene is partially transcribed: “hic milites willelmi dvcis pvgnant contra dinantes.1“Here Duke William’s soldiers fight against the men of Dinan.” Above and below this scene are bands containing chimeric creatures, as in medieval embroidery. Lastly, an interlaced design set with diamonds against a red enamel ground decorates the left and right edges of the nécessaire, while a pearl indicates the position of the clasp.

Scene 19 from the Bayeux Tapestry

Détail de la Tapisserie de Bayeux, c. 1070-1080. Bayeux, Musée de la tapisserie.

Vladimir Makowsky and the art of marquetry

The art of mother-of-pearl marquetry lies in the application of carefully selected pieces of shell using a matrix. Vladimir Makowsky (1884–1966), who created the marquetry for this nécessaire, contributed significantly to the use of this savoir-faire in the 1920s. Born in Russia, he became acquainted with the techniques of inlay during trips to Asia, before moving to Paris in the aftermath of the Russian Revolution in 1917. He became an outstanding practitioner and a favorite supplier of Parisian jewelers, notably Van Cleef & Arpels for their pieces adorned with mother-of-pearl mosaic.

Product card of a nécessaire with mother-of-pearl marquetry decoration, c. 1925–1926.

Product card of a nécessaire with mother-of-pearl marquetry decoration, c. 1925–1926.

Product card of the nécessaire, 1925.

1925

Nécessaire

1925

Nécessaire

This 1925 nécessaire illustrates the variety of Art Deco’s iconographic repertory.
Its lid is decorated with a panel displaying the taste for the late Middle Ages and Renaissance that typified the 1920s, prolonging a similar historical revivalism initiated in the nineteenth century. This scene in mother-of-pearl marquetry is the work of Vladimir Makovsky.

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